Cardboard Cut-Outs

by Martha Sherman Dean Moss isn’t the first choreographer to draw inspiration from film – only to get swallowed by … More

It’s a Mystery

by Martha Sherman Neal Medlyn is such an odd artist – always has been. With his mix of musical gifts, … More

by Martha Sherman Any child knows that when the overhead lights begin to flicker, the ghosts are about to manifest. … More

by Martha Sherman Let’s give thanks for the good things in dance this year. More than anything, I’m grateful that, … More

by Martha Sherman Rich and spare at the same time, Tere O’Connor’s “Long Run” may be his best work yet. … More

by Martha Sherman What a splendid way to open a splendid new arts venue – to bring John Coltrane’s music … More

by Martha Sherman When City Center opens its “Fall for Dance” cornucopia each September, the dance season has begun. The … More

by Martha Sherman Beth Gill isn’t the choreographer you’d expect to build a cathedral altarpiece. But with “Brand New Sidewalk,” … More

by Martha Sherman Twyla Tharp has been mixing it up for over fifty years. She has spent her career confounding … More

by Martha Sherman I have followed the work of Yanira Castro/a canary torsi ever since 2013, when I participated in … More