A Reassuring Lack of Surprises by Leigh Witchel Just because something wasn’t surprising doesn’t mean it was dull. In the final week of New York…
A Living Doll by Karen Backstein After 25 years, Megan Fairchild took her final bow with New York City Ballet. She did it…
Peck’s Predicaments by Leigh Witchel Tiler Peck had more than one challenge in the Eclectic NYCB III program at New York City…
The Master’s Influence by Karen Backstein The big news for New York City Ballet’s Eclectic NYCB III program was Tiler Peck’s Symphonie Espagnole,…
The Advent of a Ballerina by Leigh Witchel Once again, Alexa Maxwell is a contestant on NYCB’s most dangerous game, Promote or Kill. But if…
Suzanne’s Version by Leigh Witchel On the first week of New York City Ballet’s spring season Mira Nadon made her debut in…
Less or More? by Leigh Witchel In classical ballet, particularly neoclassical, less is more. But nowadays, more is more . . . at…
The Good, the Bland, and the Beautiful by Karen Backstein New York City Ballet presented a quartet of recent ballets for its Contemporary Choreography program. Relatively, at…
Artists and Icons by Karen Backstein New York City Ballet moved back in time for its Innovators and Icons program. It wasn’t only…
Death be not Proud by Leigh Witchel Even with injuries and absences early on in the spring season, New York City Ballet held on…
