Mid-Tier

by Leigh Witchel When you follow, or chronicle, an artist, their middle range gives you as much information as the … More

And Then There Were Two

by Leigh Witchel Things get shaved down for various reasons. When New York City Ballet put on a Viennese program, … More

by Leigh Witchel All three works on the triple bill Fall for Dance fielded for its last program had great … More

by Leigh Witchel This season’s guest choreographers at New York City Ballet were repeat commissions. Gianna Reisen and Kyle Abraham … More

by Leigh Witchel Often the only connection between the works in a Fall for Dance program is that there’s no … More

by Leigh Witchel The pandemic blunted the impact of time and turnover at New York City Ballet. Last season’s multiple … More