NYCB-Adjacent by Leigh Witchel After all those years of being greeted by Arlene Shuler on the opening night of the Fall…
When the Rebels Inherit the Throne by Leigh Witchel Instead of toppling the walls of the temple, what if Samson decided to hold a fundraiser instead?…
Closing out Repertory by Leigh Witchel The last repertory show at New York City Ballet before a run of A Midsummer Night’s Dream…
Repetition, Change and Toast by Leigh Witchel As the season went on, another group of dancers got a shot at the Tanowitz/Wheeldon/Forsythe/Abraham program at…
Seeing it Twice by Leigh Witchel Both casts of New York City Ballet’s Ratmansky/Dove/Reisen/Robbins quadruple bills had several debuts. Half of the cast…
The Point and the Line by Leigh Witchel New York City Ballet planned the spring of its 75th anniversary season as looking towards the future.…
The Ratmansky Effect by Leigh Witchel New York City Ballet fielded several debuts in a quadruple bill by an eclectic group of contemporary…
Passing the Torch by Leigh Witchel Smuin Contemporary Ballet is passing the torch. Company founder Michael Smuin was central to San Francisco’s dance…
An Unending Cycle by Leigh Witchel Samsara is a Buddhist concept of the infinite cycle of existence through birth and death. Though it…
Inscrutable by Leigh Witchel The triple bill closing the Paul Taylor Dance Company’s Extreme Taylor season at The Joyce Theater was…
