by Leigh Witchel Casting against type can be a great way to stretch dancers . . . as long as … More
Tag: Gilbert Bolden III
Changing the Name, Bringing in a Coach
by Leigh Witchel New York City Ballet’s All-Balanchine program brought back a ballet, only with a new name. Even better, … More
Punchy
by Leigh Witchel Everyone’s hyper at the beginning of New York City Ballet’s season. There’s anticipation, There’s nerves, there’s debuts … More
An American Program
by Leigh Witchel New York City Ballet’s first All Balanchine program was strung together with American composers, though that thread … More