In the Lead

by Leigh Witchel One of New York City Ballet’s newest soloists was groomed towards one of the most stylish roles … More

Quadruple Play

by Leigh Witchel There was almost complete turnover in New York City Ballet’s Robbins/Tanowitz/Peck quadruple bill. Each work had a … More

by Leigh Witchel Not every Balanchine ballet was his best, and even his best don’t all look interchangeably great together. … More

by Leigh Witchel When you follow, or chronicle, an artist, their middle range gives you as much information as the … More

by Leigh Witchel It’s ballerina season at New York City Ballet. The company’s switch from a long run of Peter … More

by Leigh Witchel New York City Ballet’s all-Balanchine program put on a trio of his later works, with debuts throughout … More

by Leigh Witchel Towards the end of its run, New York City Ballet slipped in a new troika for “The … More

by Leigh Witchel Once upon a time, Stravinsky was the house composer for New York City Ballet. He’s not around … More