by Leigh Witchel New York City Ballet fielded several debuts in a quadruple bill by an eclectic group of contemporary … More
Tag: Joseph Gordon
Quadruple Play
by Leigh Witchel There was almost complete turnover in New York City Ballet’s Robbins/Tanowitz/Peck quadruple bill. Each work had a … More
Matinee Mode
by Leigh Witchel New York City Ballet’s final program, though it was also done in the evening, was very, very … More
Almost a Cast Change
by Leigh Witchel There wasn’t much of a cast change between the two casts of the All-Robbins program at New … More
Awakening
by Leigh Witchel The most awaited event of New York City Ballet’s season was likely Alexei Ratmansky’s first new ballet … More
Weak Tea
by Leigh Witchel Was New York City Ballet experiencing Balanchine fatigue by the fifth of the all-Balanchine programs? Each of … More
Back from the Dead
by Leigh Witchel New York City Ballet celebrated three quarters of a century with a packed house. After a short … More
Asleep (isn’t always) Beauteous
By Leigh Witchel Alexei Ratmansky’s new work for New York City Ballet’s spring gala, “Odessa,” is at once tongue-in-cheek and … More