Like a Prayer

by Leigh Witchel New York City Ballet is pushing Peter Walker in an unexpected way – to be a partner … More

Inside and Outside Type

by Leigh Witchel Casting against type can be a great way to stretch dancers . . . as long as … More

by Leigh Witchel There is no ballet that does not remind me of another ballet. This is not a bad … More

by Leigh Witchel It ain’t what you do, it’s the way that you do it. The Masters at Work: Balanchine … More

by Leigh Witchel Every ballerina has to get through her first Rose Adagio. Unity Phelan made it through hers, and … More

by Leigh Witchel Sterling Hyltin couldn’t have picked a better way to keep saying goodbye. Instead of one Hyltinathon performance, … More

by Leigh Witchel Towards the end of its run, New York City Ballet slipped in a new troika for “The … More

by Leigh Witchel Lauren Lovette was ready to tackle Aurora in a way she wouldn’t have been once upon a … More

by Leigh Witchel Once upon a time, Stravinsky was the house composer for New York City Ballet. He’s not around … More