Vocal Visualization

by Leigh Witchel Alexei Ratmansky’s newest work for New York City Ballet had its debut at the New Combinations Evening … More

A Middle Ground Late in the Season

by Leigh Witchel Winding down the fall season, New York City Ballet put two Balanchine masterworks next to one … More

by Leigh Witchel New York City Ballet’s all-Balanchine program put on a trio of his later works, with debuts throughout … More

by Leigh Witchel The harbinger of autumn at New York City Ballet isn’t pumpkin spice. For several years, come the … More

by Leigh Witchel With gems, you’re better off with a perfect trio, duo or solitaire then to drip with bling. … More

by Leigh Witchel Beyond the top two or three, it’s tough to agree on the top rank of Balanchine’s ballets. … More

by Leigh Witchel Change at New York City Ballet can be measured in debuts. Who gets a new part, who … More

by Leigh Witchel Pam Tanowitz is the least likely It Girl in dance. Her cool cerebral works aren’t designed as … More

[The return of!] a highly personal and subjective list of performances and artists we want you to know about: Leigh … More

by Leigh Witchel Towards the end of its run, New York City Ballet slipped in a new troika for “The … More