by Leigh Witchel Three female choreographers were featured on New York City Ballet’s New Combinations program. Only one of their … More
Tag: Roman Mejia
Right Up Their Alley
by Leigh Witchel Just because it was obvious to cast Roman Mejia as Franz didn’t mean it wasn’t fabulous. And … More
Repetition, Change and Toast
by Leigh Witchel As the season went on, another group of dancers got a shot at the Tanowitz/Wheeldon/Forsythe/Abraham program at … More
Seeing it Twice
by Leigh Witchel Both casts of New York City Ballet’s Ratmansky/Dove/Reisen/Robbins quadruple bills had several debuts. Half of the cast … More
The Point and the Line
by Leigh Witchel New York City Ballet planned the spring of its 75th anniversary season as looking towards the future. … More
It Gets Better – Or We Do.
by Leigh Witchel As always, performances at New York City Ballet look better on a second viewing. It was no … More
On and Off
by Leigh Witchel Two marathon works from New York City Ballet’s repertory can be a rewarding, if long, night. But … More
New Ballets, New Leads
by Leigh Witchel As well as a new couple in Rubies, the first Classic NYCB program featured two new ballets. … More
Matinee Mode
by Leigh Witchel New York City Ballet’s final program, though it was also done in the evening, was very, very … More
Two Masterpieces
by Leigh Witchel New York City Ballet paired up two of its gems, but set several new stones in them. … More